msb ~079 The ghost of a flea?

The ghost of a flea?  

William Blake's 'The ghost of a flea'
William Blake’s ‘The ghost of a flea’

Of all the images William Blake produced, the strangest and most appealing to me is The Ghost of a Flea (1820). It’s on display at Tate Britain: a small, dark, oddly menacing object, tempera and gold on wood. As this short Atlas Obscura article recalls, Blake claimed the ‘ghost’ itself came to him in one of his visions and “posed for him as he sketched it. He was able to ‘communicate’ with the monstrous being, who revealed that all fleas were inhabited by the souls of men who were ‘by nature bloodthirsty to excess.'” Continue reading “msb ~079 The ghost of a flea?”

msb ~053 Finding Blake

Finding Blake  

The Lark, Finding Blake

Just as one project’s website launches — with Waterlight’s successful release into the world this week — another one marks a significant milestone. In six months, Finding Blake has clocked up impressive work, thanks to its driving force, filmmaker James Murray-White. As a mostly behind-the-scenes researcher and editor, I can sometimes overlook the scope of detailed work on the ground — until James sends in his latest project update for me to edit. He’s generated lots of footage of interviews, performance, craftsmanship and locations – even before we get to the recent unveiling of William Blake’s new gravestone at his London burial site. Continue reading “msb ~053 Finding Blake”

msb ~024 Imagination, the key ingredient

Imagination, the key ingredient

Glad Day, or the Dance of Albion William Blake, 1794

In today’s post on the Finding Blake website I manage, our latest contributing author Kevin Fischer discusses the balance between reason, experience and imagination. Fischer explains that William Blake, radical artist and thinker of the early industrial age, “saw imagination as something profoundly different from fantasy. Contrary to common conception, this imagination is not about make-believe, the creation of the fantastical, nor is it wish-fulfilment. Blake regarded it as an essential part of life, a means of breaking out of the ‘dull round’ of the ‘ratio’ of abstract reason, of the already known, and through to that which is other than and beyond ourselves. It is a means of putting us more in touch with the world, acting as a bridge between the experiencing individual and that which is experienced.” Continue reading “msb ~024 Imagination, the key ingredient”

msb ~007 Through a lens clearly

Through a lens clearly

A new gravestone for William Blake
Photograph: James Murray-White

One of the projects I’m working on at the moment, mostly in the guise of web editor and researcher, is Finding Blake. Set up by Cambridge-based film maker James Murray-White, the project is a creative exploration of the relevance of William Blake, 18th/19th-century poet, artist, radical and visionary, for us today: reimagining our present predicaments through the lens of his work. 

I gave an interview recently with Sally Moss at Commonweal and she asked me about this project in connection with my own ClimateCultures site. At first sight, there might not seem much connection between William Blake and our climate crisis. Continue reading “msb ~007 Through a lens clearly”