Louisa Thomsen Brits’ Path narrates place and personhood through poems that make ‘a short story about reciprocity’. This small book treads lightly through wide scapes of spirit and land; beginning with a quote from Robert Macfarlane: “paths connect. This is their first duty and their chief reason for being.” Perhaps all beings (human/non-human) are also paths: expressions of particularity and process; routes and roots to our essential connections.
I am footfall and track, trail and trace, thread of passage and possibility.
Trodden-through with a region-specific ‘word hoard’, Path is both intensely local to those paths Brit walks and universally translatable to our own natural geographies, histories, biographies.
I’m looking into the various alternative names suggested for the Anthropocene. There are many views on whether or not that ‘official’ as-yet-unofficial name for our current planetary age is the right one, and why (not). One I’d forgotten summons the Age of Loneliness. It’s the suggestion of veteran biologist Edward O Wilson. Writing five years ago, he said: “Like the conquistadors who melted the Inca gold, [we] recognise that the great treasure must come to an end — and soon. That understanding creates the dilemma: will we stop the destruction for the sake of future generations, or go on changing the planet to our immediate needs? If the latter, planet Earth will enter a new era of its history, cheerfully called by some the Anthropocene, a time for and all about our one species alone. I prefer to call it the Eremocene, the Age of Loneliness.”Continue reading “msb ~058 The Age of Loneliness”
At The Conversation, Gareth Loudon argues for education for greater creativity as a bridge between silos of knowledge. This includes that famous ‘two cultures’ gap identified by CP Snow decades ago: the separation of sciences and humanities. Specialisation, of course, involves people becoming more expert in smaller areas (that unkind old joke: you learn more and more about less and less until you end up knowing everything about nothing). The separation is then reinforced in how we’re taught, how we expect the world to work and be managed.Continue reading “msb ~057 Creativity: a bright idea”
I’ve been enjoying this post looking from the IPCC 1.5C report to the next intergovernmental climate conference, COP24 in Poland next month. I think Sarah Sutton’s choice of two words has impact: ‘ambition’ and ‘bravery’. COP21 agreed the goal of limiting the global rise to 1.5C; can COP24 agree a plan? As Sarah says, “for complex geopolitical entities, and highly-complex problems, setting goals while the path remains unfocused is how you establish ambition – the contagious desire to achieve more than ever before.”Continue reading “msb ~055 Brave ambition”
Like The Moral Maze, I often ‘miss’ BBC Radio’s Any Questions. But last week’s 70th anniversary special — panellists all in their early 20s — was free of the usual grandstanding. Given the IPCC 1.5C report, climate change was first up. My favourite contributions were from Rizzle Kicks star Jordan Stephens. One of Defra’s young Climate Change Champions in 2006, Jordan spoke at the very last Climate South East conference I organised so it was great to hear him again. “One thing I find intriguing is the angle always seems to be ‘saving the Earth’ when for me the pressing issue is ‘saving us on the Earth‘. The Earth will adjust in some way to whatever poison we’re throwing at it, but ultimately we’ll be the ones who suffer … I feel as though there’s a disregard … that people can disconnect themselves from that, for some reason.”
Just as one project’s website launches — with Waterlight’s successful release into the world this week — another one marks a significant milestone. In six months, Finding Blake has clocked up impressive work, thanks to its driving force, filmmaker James Murray-White. As a mostly behind-the-scenes researcher and editor, I can sometimes overlook the scope of detailed work on the ground — until James sends in his latest project update for me to edit. He’s generated lots of footage of interviews, performance, craftsmanship and locations – even before we get to the recent unveiling of William Blake’s new gravestone at his London burial site.Continue reading “msb ~053 Finding Blake”
It’s a slightly nervous moment when you know that work you’ve just handed over is receiving its public launch, and you’re not there to see the looks on the audience’s faces, to hear their questions coming back! Today’s the day the Waterlight Project team showed off the website we’ve been working on for a couple of months now. I’ve been handling the impressive array of materials — articles, children’s films, poems, oral history transcripts, photos and blog posts — that the team have been generating about their local river and assembling this into an integrated whole, with room to breathe. And it’s a joy to take a step back and look at it all now as a ‘real thing’.Continue reading “msb ~051 Launching Waterlight”
A few years back, I helped novelist Clare George with some of her public writing workshops, Imagine There’s a Future. Speakers shared their climate change work, writers discussed scenarios and wrote new stories. For me, this was a powerful introduction to the value of creative work on our climate predicament, for writers and readers. Clare describes how the stories came from very diverse authors working together. “Climate change campaigners sat next to climate change sceptics and openly discussed their most heartfelt fears and dreams in ways that would not have been possible without the help of fiction.”Continue reading “msb ~050 Truth and story”