Tag: Arts

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msb ~088 Remembering Chris West

Remembering Chris West 

Chris West, 1951 - 2018
Chris West, 1951 – 2018

Along with everything else, there’s that deep sadness when you realise you’re never going to have a conversation with someone ever again. I learned the other day that Chris West, my old boss at UKCIP, died recently and I immediately thought of his humour, patience and enthusiasm. And of a short passage in Nancy Campbell’s The Library of Ice, which I’d read last month and where I’d rediscovered Chris in this perfect anecdote:

“At a climate conference in London a few weeks ago I paired up, during the one-minute speed-meeting session, with an amiable, bearded scientist, who told me that he’d held a piece of the Vostok ice core in the palm of his hand. Chris used up his whole minute describing the experience. ‘The thing is, it fizzed,’ he said. ‘It was melting with the warmth of my palm, and the air was under such pressure that it exploded out of its ice pockets. It fizzed,’ he repeated, ‘then it melted, and I just wiped it on my shirt.’ He passes his hand across the checked cotton covering his chest, an expression of mild bewilderment on his face as he relives his Keplerian encounter with a 20,000-year-old piece of ice.” Continue reading “msb ~088 Remembering Chris West”

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msb ~086 Rooted, again

Rooted, again  

Rooted, Juhi Saklani
Rooted, Juhi Saklani

Another rich vein of discovery in Dark Mountain’s new collection, TERRA: Rooted is Juhi Saklani’s short essay on the heritage and fate of India’s trees. In response to displacement and distress at relocating deep into Delhi’s congestion after years living in its leafier areas, “I started photographing trees. It was the most meditative and ‘at home’ I felt in my unsettled life.” Her images accompany the text, revealing the deeply textured interplay of living tree and decaying stonework, of (as this small blog keeps returning to) nature-and-culture. Continue reading “msb ~086 Rooted, again”

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msb ~085 On edge and in-between

On edge and in-between 

Melancholia, by Lars von Trier: in-between states
Melancholia, by Lars von Trier: in-between states

Titling your Physics World post ‘This article is based on fictional events’ does make it stand out. And David Boyt describes an event I’d wish I’d been to; as part of London Mathematical Laboratory’s Science on Screen series, statistical physicist Valerio Lucarini discussed how Lars von Trier’s 2011 Melancholia “inspired in him a new way of thinking and provided the missing piece of the puzzle for his research.” Continue reading “msb ~085 On edge and in-between”

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msb ~084 Hurricane bells

Hurricane bells  

Hurricane Bells, by Peter Shenai
Hurricane Bells, by Peter Shenai

I just posted this moving radio programme to ClimateCultures’ Views from Elsewhere, but there’s more to explore in artist Peter Shenai’s hurricane bells and stories of Hurricane Katrina. Cast in shapes reflecting Katrina’s evolving wind speed, they bring dissonant and consonant voices that turn data into art: nature, recast by human climate disruption, in turn, reshapes human artefacts: nature-cultures powerfully entwined. Continue reading “msb ~084 Hurricane bells”

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msb ~079 The ghost of a flea?

The ghost of a flea?  

William Blake's 'The ghost of a flea'
William Blake’s ‘The ghost of a flea’

Of all the images William Blake produced, the strangest and most appealing to me is The Ghost of a Flea (1820). It’s on display at Tate Britain: a small, dark, oddly menacing object, tempera and gold on wood. As this short Atlas Obscura article recalls, Blake claimed the ‘ghost’ itself came to him in one of his visions and “posed for him as he sketched it. He was able to ‘communicate’ with the monstrous being, who revealed that all fleas were inhabited by the souls of men who were ‘by nature bloodthirsty to excess.'” Continue reading “msb ~079 The ghost of a flea?”

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msb ~077 Landscapes written in the skin

Landscapes written in the skin  

Hereford Cathedral's Mappa Mundi
Hereford Cathedral’s ‘Mappa Mundi’ – world dream-map

Maps hold me. The collection I marked during my ‘sabbatical’ exploration of personal unknown England. My afternoon with the Hereford Mappa Mundi’s medieval worldview squashed onto a sheet of vellum. First Nations hunters’ dream-maps, recalled in Anticipatory history: “a piece of moosehide as large as a tabletop … ‘Up here is heaven; this is the trail that must be followed; here is a wrong direction; this is where it would be worst of all to go; and over here are all the animals. They explained that all of this had been discovered in dreams.'” My own dreams of floating above unreal landscape-map hybrids, still real years later. Continue reading “msb ~077 Landscapes written in the skin”

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msb ~076 Climate data: climate art

Climate data: climate art  

Climate Symphony Lab 2017: noisy data
Climate Symphony Lab; noisy data

A conversation today reminded me of a workshop I joined last year, where we created audio art from climate data. Climate Symphony Lab tapped into public interest in, but confusion with, science to make new ways to internalise what environmental change ‘looks’ (or sounds) like. Climate data: climate art. Actually being in on debates on what to include and exclude, which available technologies to use (instruments, laptops, voices, feet, breath, tearing paper?) was unusual, enlivening and unsettling. It brought a direct, participative responsibility to what can be seen as quite distant, individualist artistic practices — and even more distant, communal practices of science. Continue reading “msb ~076 Climate data: climate art”

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msb ~073 Picture this

Picture this  

Picture Icelandic elements: a photograph by Gareth Goldthorpe
Iceland elements

As recent passages here — TERRA and The Library of Ice — hint, my reading’s had an Arctic preoccupation recently. I’ve never been north of 60o, so my polar regions are imaginary zones. Although reading is intensely visual, photographs still jolt my every-day, word-fed way of ‘seeing’ the distant world. I’ve dabbled in photography, but my brother does the real thing, and I’m envious of his skills and travels. I’d forgotten his recent Iceland trip, my anticipation of his new images and, checking his website, there they were: freshly discovered places that others’ words had been walking me toward. Continue reading “msb ~073 Picture this”

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msb ~062 Connecting with change

Connecting with change 

Looking to pasts and futures…

I’ve mentioned the book Anticipatory history and how I keep returning to it. The term also describes a loose collection of approaches that extend beyond the book’s collection of texts, each a means to open up conversations about change in places we feel deep attachment to, now facing uncertain futures.

To help us bring in new perspectives when we try to make sense of change, ‘anticipatory history’ approaches might include:

  • Looking imaginatively at past changes and at the contingencies which underlined (and could have undermined) the events and actions that shaped what it is now. Examples are reverse chronologies, timelines, oral histories and artistic representations.
  • Taking a fresh look at the language we use to talk about the natural and cultural processes at play. The book itself provides one way into this, as a form of glossary arising from a dialogue between specialisms.
  • Imagining and naming unfamiliar or new ways of living with change that might be adopted in this place.

Continue reading “msb ~062 Connecting with change”

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