In this Edge Effects interview, Lauren Groff offers perspective for any ‘climate fiction’ writer feeling environmental despair even while celebrating nature. “My only talent is as a writer. That’s the only thing I can do. So now I feel as though I am being immoral if I am not addressing it somehow in my work. Of course, I write literary fiction, so it can’t be polemical. If it’s polemical, I’ve failed. I need to do something more scalpel-like, something a little bit sideways.”Continue reading “msb ~019 Tell it slant”
Form follows garbage, a new film by friend and Finding Blake colleague James Murray-White for GroundWork Gallery, follows artist Jan Eric Visser. Visser transforms everyday garbage into art — and a new kind of environmental politics.
In an introduction to their collection of ‘environmental’ poetry, the Poetry Foundation claimed that while Romantic poets often wrote about “beautiful rural landscapes as a source of joy, [and so] made nature poetry a popular poetic genre … contemporary poets tend to write about nature more broadly than their predecessors, focusing more on the negative effects of human activity on the planet.” That struck me as a bit odd because although the scope for contemporary poets may well be wider and there is undoubtedly much to be negative about when we witness our environmental crises, a good many poets continue to find joy there, and without necessarily going all ‘Romantic’ on it.Continue reading “msb ~016 Naturalist”
Yesterday’s post mentioned embedding artists in public bodies to stimulate cultural responses to climate change. The idea lodged in my mind, mixing with John le Carre’s Tinker Tailor Soldier Spy, the classic tale of moles, sleepers and agents I’m rereading … What if climate-aware artists were smuggled into all central and local government, working in the shadows for a safer, fairer, better-connected ecology, economy and society? What art might moles make within policies, positions and forecasts? On the texts’ margins? Hijacking the headings, footnotes and charts? How long would it take for creative subversion to move beyond satire? A diverting daydream …Continue reading “msb ~015 Tinker tailor soldier artist”
It’s great to see Creative Carbon Scotland putting the case for the arts in helping society anticipate, adapt to and tackle the impacts of our changing climate. Their latest event seeks to bring creative practitioners into the heart of the debate, with a consultation event on 27th August. This builds on the work CCS did last year, responding to the Scottish Government on a Cultural Strategy. Among the many excellent points (and demonstrations of good practice) in their response, what stood out for me was the short section that started with this declaration: “There is an absolutely essential role for art to ‘get out of its box, into other boxes, and get other people into art’s boxes’.”Continue reading “msb ~014 A duty to collaborate”