I may need to spend time tracking down TV classics from the 1960s to 80s. Adam Scovell’s excellent survey of British TV fictional alarm calls reminds us how Anthropocene warnings have been with us for almost as long as the Great Acceleration itself. “It’s not that these programmes were ahead of their time: it is more frustratingly, that we have moved on so little in how we deal with the monumentality of ecological issues and their increasing scarring of the strata of our planet; the danger has been growing but with far more fervour than our willingness to address it.”Continue reading “msb ~061 Anthropocene foreshadowings”
Louisa Thomsen Brits’ Path narrates place and personhood through poems that make ‘a short story about reciprocity’. This small book treads lightly through wide scapes of spirit and land; beginning with a quote from Robert Macfarlane: “paths connect. This is their first duty and their chief reason for being.” Perhaps all beings (human/non-human) are also paths: expressions of particularity and process; routes and roots to our essential connections.
I am footfall and track, trail and trace, thread of passage and possibility.
Trodden-through with a region-specific ‘word hoard’, Path is both intensely local to those paths Brit walks and universally translatable to our own natural geographies, histories, biographies.
At The Conversation, Gareth Loudon argues for education for greater creativity as a bridge between silos of knowledge. This includes that famous ‘two cultures’ gap identified by CP Snow decades ago: the separation of sciences and humanities. Specialisation, of course, involves people becoming more expert in smaller areas (that unkind old joke: you learn more and more about less and less until you end up knowing everything about nothing). The separation is then reinforced in how we’re taught, how we expect the world to work and be managed.Continue reading “msb ~057 Creativity: a bright idea”
Just as one project’s website launches — with Waterlight’s successful release into the world this week — another one marks a significant milestone. In six months, Finding Blake has clocked up impressive work, thanks to its driving force, filmmaker James Murray-White. As a mostly behind-the-scenes researcher and editor, I can sometimes overlook the scope of detailed work on the ground — until James sends in his latest project update for me to edit. He’s generated lots of footage of interviews, performance, craftsmanship and locations – even before we get to the recent unveiling of William Blake’s new gravestone at his London burial site.Continue reading “msb ~053 Finding Blake”
It’s a slightly nervous moment when you know that work you’ve just handed over is receiving its public launch, and you’re not there to see the looks on the audience’s faces, to hear their questions coming back! Today’s the day the Waterlight Project team showed off the website we’ve been working on for a couple of months now. I’ve been handling the impressive array of materials — articles, children’s films, poems, oral history transcripts, photos and blog posts — that the team have been generating about their local river and assembling this into an integrated whole, with room to breathe. And it’s a joy to take a step back and look at it all now as a ‘real thing’.Continue reading “msb ~051 Launching Waterlight”
A few years back, I helped novelist Clare George with some of her public writing workshops, Imagine There’s a Future. Speakers shared their climate change work, writers discussed scenarios and wrote new stories. For me, this was a powerful introduction to the value of creative work on our climate predicament, for writers and readers. Clare describes how the stories came from very diverse authors working together. “Climate change campaigners sat next to climate change sceptics and openly discussed their most heartfelt fears and dreams in ways that would not have been possible without the help of fiction.”Continue reading “msb ~050 Truth and story”
I wanted to pick up where I left off in Evocative Objects, which omitted what I’d ‘brought’ for that ‘Show & Tell’ workshop on objects with personal resonance in our changing climate. Maggi Hambling’s massive, 4-metre high steel seashell, Scallop, stands on Aldeburgh beach in Suffolk, resolutely dividing opinion among locals and visitors. I love it, and wrote about it in ClimateCultures’ A History of the Anthropocene in 50 Objects: “Being in its presence was to experience very direct communication with both environment and history, and an unsettling encounter with the future. Aldeburgh has been disappearing from the map for centuries … the sea moving in by stages.” Where Scallop now stands on shingle, were once homes and streets, lives and livelihoods.Continue reading “msb ~046 “I hear those voices that will not be drowned””
So far, I’ve only managed to watch 30 minutes of the BBC’s excellentDrowning in Plastic: impossible to stomach the full hour-and-a-half at once. Footage of shearwaters dying from the plastics their parents unwittingly fed them is, appropriately, gut-wrenching: the animals as oblivious to their plight as we are to our hour-by-hour petrochemical churn that creates it. So – like the other recent BBC 90 minutes on landfill – I’ll be taking this in chunks. But the first viewing leaves me wondering how to respond to another plastics piece today, on a colourful ‘future forest’ made entirely from three tons of recycled plastic waste…Continue reading “msb ~045 Future forest, plastic tide”
Following Philip Dick, here’s another favourite speculative writer: Christopher Priest. I just finished the Ordnance Survey ‘Britain’s islands’ quiz after rereading Anticipatory History‘s Dream-map entry, so it’s no surprise that Priest’s Dream Archipelago came to mind. There’s a slipperiness to his decades-long project of stories set on these fictional-but-familiar islands on a world (un)like ours. In a2011 interview ahead of The Islandershe’s asked, “Creating the climate, topography and various customs of the islands must have been quite challenging … Did you use a map or some other technique?” Priest: “No map is allowed. Not even to me … Living in the islands, or trying to travel through them, you almost always get lost. No one knows the way, everyone is a bit muddled.”Continue reading “msb ~039 The truth? Dream on”