When I was looking into boundaries between ‘experts’ and ‘public’ on local coastal change, I explored ways to classify expertise. One typology, proposed by Michael Carolan, suggests that most of us can usually contribute abstract (e.g. scientific) or practical (e.g. local) knowledge. He described this as ‘contributory expertise’, but also identified an additional category: ‘interactional expertise’. Individuals use this to help bring together those with different forms of knowledge: essential when the issues are contentious and the debate can be confrontational.Continue reading “msb ~067 Expertise”
I’ve mentioned the book Anticipatory history and how I keep returning to it. The term also describes a loose collection of approaches that extend beyond the book’s collection of texts, each a means to open up conversations about change in places we feel deep attachment to, now facing uncertain futures.
To help us bring in new perspectives when we try to make sense of change, ‘anticipatory history’ approaches might include:
Looking imaginatively at past changes and at the contingencies which underlined (and could have undermined) the events and actions that shaped what it is now. Examples are reverse chronologies, timelines, oral histories and artistic representations.
Taking a fresh look at the language we use to talk about the natural and cultural processes at play. The book itself provides one way into this, as a form of glossary arising from a dialogue between specialisms.
Imagining and naming unfamiliar or new ways of living with change that might be adopted in this place.
I’ve been enjoying this post looking from the IPCC 1.5C report to the next intergovernmental climate conference, COP24 in Poland next month. I think Sarah Sutton’s choice of two words has impact: ‘ambition’ and ‘bravery’. COP21 agreed the goal of limiting the global rise to 1.5C; can COP24 agree a plan? As Sarah says, “for complex geopolitical entities, and highly-complex problems, setting goals while the path remains unfocused is how you establish ambition – the contagious desire to achieve more than ever before.”Continue reading “msb ~055 Brave ambition”
It’s a slightly nervous moment when you know that work you’ve just handed over is receiving its public launch, and you’re not there to see the looks on the audience’s faces, to hear their questions coming back! Today’s the day the Waterlight Project team showed off the website we’ve been working on for a couple of months now. I’ve been handling the impressive array of materials — articles, children’s films, poems, oral history transcripts, photos and blog posts — that the team have been generating about their local river and assembling this into an integrated whole, with room to breathe. And it’s a joy to take a step back and look at it all now as a ‘real thing’.Continue reading “msb ~051 Launching Waterlight”
A few years back, I helped novelist Clare George with some of her public writing workshops, Imagine There’s a Future. Speakers shared their climate change work, writers discussed scenarios and wrote new stories. For me, this was a powerful introduction to the value of creative work on our climate predicament, for writers and readers. Clare describes how the stories came from very diverse authors working together. “Climate change campaigners sat next to climate change sceptics and openly discussed their most heartfelt fears and dreams in ways that would not have been possible without the help of fiction.”Continue reading “msb ~050 Truth and story”
There’s an overfamiliar-yet-fresh feel to the film Earthrise, documenting the moment humans first photographed Earth appearing behind the moon. Familiar because, raised on images and imaginations of manned space exploration as it happened, I’ve seen this photograph so many times: the small, watery rock teeming with invisible life. Fresh because the film lets us see back through the eyes of three elderly men who were there then, alone: emerging from profound blackness never experienced before, after hours scanning endless, dead grey dust no one had yet walked on – and feeling their eyeballs flood with the only colour to be had anywhere: first sight of distant home. It moved them then, fifty years ago this December, and you can see it move them now, looking back.Continue reading “msb ~048 Earthrise, again”
I value my memory of the blistering critique I received when speaking to environmental experts about sometimes having to ‘let go’ of loved sites of natural or cultural heritage as the contradictions of trying to ‘hold back’ historic climate change become starker: “Wooly-minded fudge!” Particular scorn came when I mentioned ‘palliative curation’. Many of the ideas we’re going to have to explore are contentious, even provocative, so my only complaint is that I’d done a poor job explaining the possibilities. Continue reading “msb ~043 Palliative curation”
Scanning notes from events I’ve helped organise, I came across this list — almost a collaborative prose poem — of evocative objects that participants brought, sharing feelings on our climate predicaments.Continue reading “msb ~042 Evocative objects”
Thinking about those moments when I’ve really encountered wild animals, I realise there are very few true moments. Beyond the ‘background wild’, I mean. Yes, crows call from trees as I pass beneath, a deer runs from me in the woods; or I spy a fox just sitting in the sunlit field, watching its world. The spiders and flies and (when there was a cat) fleas in the house. Very few true moments: encountering something wild encountering me, when we break through the veil and see each other across the divide.Continue reading “msb ~029 Beyond the background wild #1”
In this Edge Effects interview, Lauren Groff offers perspective for any ‘climate fiction’ writer feeling environmental despair even while celebrating nature. “My only talent is as a writer. That’s the only thing I can do. So now I feel as though I am being immoral if I am not addressing it somehow in my work. Of course, I write literary fiction, so it can’t be polemical. If it’s polemical, I’ve failed. I need to do something more scalpel-like, something a little bit sideways.”Continue reading “msb ~019 Tell it slant”