“To access and activate our most radical potentials as a storytelling species,” the AdaptationCONNECTS project has issued an innovative call for short stories of ‘our entangled future’: stories to engage our imaginations with ‘quantum social change’ in the face of our accelerating climate crisis. “We need stories that confront the limitations of a dualistic, deterministic, and inanimate worldview and instead offer insights into a reality that is connected, entangled, uncertain, and ripe with possibility – a world of complementarity, non-locality, and potentiality.” Their call places an important emphasis on “the power of language, meaning, and metaphors to create a new reality.”Continue reading “msb ~087 Our entangled future”
Titling your Physics World post ‘This article is based on fictional events’ does make it stand out. And David Boyt describes an event I’d wish I’d been to; as part of London Mathematical Laboratory’s Science on Screen series, statistical physicist Valerio Lucarini discussed how Lars von Trier’s 2011 Melancholia “inspired in him a new way of thinking and provided the missing piece of the puzzle for his research.”Continue reading “msb ~085 On edge and in-between”
(colloquial, ‘Blue’; archaic, ‘Sagan’s Pixel’): a malaise of Gaian-class consciousness, in legend derived from the ProtoGaian Terra before its first outwave. Though Terra’s existence is doubted, the term’s origin is implied in that fabled aquatmosphere’s supposed chromatocharacteristics.
According to the legend, ‘Blue’ malaise arose among Terra’s self-extincted Homosagans, a biosubstrate-component that developed protoawareness, dominance delusions and abortive fledgeflight. Their very first projectiletechnoproxysensorium view back from their solsystem’s margins (attributed to preconscious emissary Voya) fed mistaken notions of Terra’s solitary life-bearing status. Fabulists speculate that Homosagans sensed this one-dimensional image – their ‘pale blue dot’ – contained all their species had ever known, done or been; achievements, failings, experiences and emotional states which they soon after recited into the Blue List Library (now lost, except to legend).Continue reading “msb ~082 Pale Blue Dot syndrome (fable of a lost world)”
Journeying further into Dark Mountain’s new anthology, TERRA, I reach Sara Hudston’s wonderful, powerful parable, Wild Apples. “Francis hated animals.” It’s not just animals. Francis — named ironically for that Assisi guy, of course — hates all evidence of the non-human, natural world. An ex-countryside refugee — “He’d escaped as soon as he could to the city where women liked to be looked at and men could talk intelligently of important matters” — he’s forced back into rural exile, singled out for unidentified duties by an unnamed bureaucracy with no apparent purpose.Continue reading “msb ~080 Nature shock”
A few years back, I helped novelist Clare George with some of her public writing workshops, Imagine There’s a Future. Speakers shared their climate change work, writers discussed scenarios and wrote new stories. For me, this was a powerful introduction to the value of creative work on our climate predicament, for writers and readers. Clare describes how the stories came from very diverse authors working together. “Climate change campaigners sat next to climate change sceptics and openly discussed their most heartfelt fears and dreams in ways that would not have been possible without the help of fiction.”Continue reading “msb ~050 Truth and story”
Following Philip Dick, here’s another favourite speculative writer: Christopher Priest. I just finished the Ordnance Survey ‘Britain’s islands’ quiz after rereading Anticipatory History‘s Dream-map entry, so it’s no surprise that Priest’s Dream Archipelago came to mind. There’s a slipperiness to his decades-long project of stories set on these fictional-but-familiar islands on a world (un)like ours. In a2011 interview ahead of The Islandershe’s asked, “Creating the climate, topography and various customs of the islands must have been quite challenging … Did you use a map or some other technique?” Priest: “No map is allowed. Not even to me … Living in the islands, or trying to travel through them, you almost always get lost. No one knows the way, everyone is a bit muddled.”Continue reading “msb ~039 The truth? Dream on”
I consumed Philip Dick’s novels by the handful as a teenager: just part of my science fiction diet. Many of his stories sit well with that other fare, but the shock of A Scanner Darkly, VALIS and The Divine Invasion comes into sharper relief away from the glare of rayguns, hyperdrives and aliens. Dick wrote his experience, not ‘fiction’. In BBC Radio’s Great Lives, actor Michael Sheen discusses Dick’s influence on him: “the moment where the central character begins to discover that maybe the reality he’s taking for granted is not what’s going on, maybe there’s something else going on behind it. That is a very frightening moment.”Continue reading “msb ~038 “Let’s hear it for the vague blur!””