“To access and activate our most radical potentials as a storytelling species,” the AdaptationCONNECTS project has issued an innovative call for short stories of ‘our entangled future’: stories to engage our imaginations with ‘quantum social change’ in the face of our accelerating climate crisis. “We need stories that confront the limitations of a dualistic, deterministic, and inanimate worldview and instead offer insights into a reality that is connected, entangled, uncertain, and ripe with possibility – a world of complementarity, non-locality, and potentiality.” Their call places an important emphasis on “the power of language, meaning, and metaphors to create a new reality.”Continue reading “msb ~087 Our entangled future”
Louisa Thomsen Brits’ Path narrates place and personhood through poems that make ‘a short story about reciprocity’. This small book treads lightly through wide scapes of spirit and land; beginning with a quote from Robert Macfarlane: “paths connect. This is their first duty and their chief reason for being.” Perhaps all beings (human/non-human) are also paths: expressions of particularity and process; routes and roots to our essential connections.
I am footfall and track, trail and trace, thread of passage and possibility.
Trodden-through with a region-specific ‘word hoard’, Path is both intensely local to those paths Brit walks and universally translatable to our own natural geographies, histories, biographies.
At The Conversation, Gareth Loudon argues for education for greater creativity as a bridge between silos of knowledge. This includes that famous ‘two cultures’ gap identified by CP Snow decades ago: the separation of sciences and humanities. Specialisation, of course, involves people becoming more expert in smaller areas (that unkind old joke: you learn more and more about less and less until you end up knowing everything about nothing). The separation is then reinforced in how we’re taught, how we expect the world to work and be managed.Continue reading “msb ~057 Creativity: a bright idea”
Just as one project’s website launches — with Waterlight’s successful release into the world this week — another one marks a significant milestone. In six months, Finding Blake has clocked up impressive work, thanks to its driving force, filmmaker James Murray-White. As a mostly behind-the-scenes researcher and editor, I can sometimes overlook the scope of detailed work on the ground — until James sends in his latest project update for me to edit. He’s generated lots of footage of interviews, performance, craftsmanship and locations – even before we get to the recent unveiling of William Blake’s new gravestone at his London burial site.Continue reading “msb ~053 Finding Blake”
I’m putting final touches to the next ClimateCultures post. Our latest author is writing on the topic of climate grief, and that’s sent me into other reading on the web in search of extra resources to support her post. I came across a graphic story from artist Perrin Ireland where, in a couple of dozen drawings, she captures some of the weight of anxiety, foreboding and, yes, grief that climate activists — even the simply ‘climate aware’ — can feel weighing them down. Reality is hardest for those facing dire times in the here-and-now, of course; but anticipated realities can be hard for the presently comfortable. Ireland finishes with a hint on how to take it head on: together, rather than alone.Continue reading “msb ~047 Climate grief”
No one does interesting, thoughtful science films quite like David Malone. So it’s great to see again 2013’s Metamorphosis: the science of change. There’s the familiar but fascinating science of insects shape-shifting from one form to another — caterpillar to butterfly — or taking on completely new behaviours — locusts switching from loners to swarms. Explanations of tadpoles interpreting environmental cues to trigger their transformation into frogs. And there’s the disturbing, radical story of creatures that are two life forms simultaneously: genetically identical but morphologically distinct, radically different.Continue reading “msb ~028 Metamorphosis”
In his contribution to the fascinating Future Remains, historian and geohumanist Jared Farmer discusses ‘technofossils’. Our technological remains last far longer than our personal relationships with these relentlessly multiplying gadgets, structures and infrastructures. Will probably outlast current civilisations. Possibly our species. And technofossils will not be just our artificial constructions; our (re)engineering of the biosphere is also a technological feat that leaves its mark for future archaeology. So, while long-forgotten subway tunnels — “worm tracks of mammoth size — might become sedimentary molds for locomotion traces”, just as telling a marker will be the distinctive layer of fossilised bones of trillions of broiler chickens, a “proxy for the ‘Great Acceleration’ of postwar global change.”Continue reading “msb ~023 Technofossils, fuel for thought”
A year ago on ClimateCultures, I discussed a book I’d first encountered in 2011 and have been using ever since. Anticipatory history arose from an interdisciplinary network, exploring possibilities in ‘looking back’ at environmental change to help us ‘look forward’ to what futures we might shape. I was doing my MA Climate Change at the time and, in the network’s latter stages, I was able to contribute some work on ‘storying adaptation’ to their final symposium. Continue reading “msb ~013 On anticipatory history”